Scholar Sammy Jawbones, his worries impurely.
It is precisely what it sounds like: A list of all the scenes in the script accompanied by a brief description of the events that transpire. For purposes of this exercise, I have a slightly different take on scene. Here I am looking not just for individual scenes per se, but a scene or set of scenes that comprise one event or a continuous piece of action.
The value of this exercise: We pare down the story to its most constituent parts: By doing this, we consciously explore the structure of the narrative.
A scene-by-scene breakdown creates a foundation for even deeper analysis of the story. You can download a PDF of the script here. Written by Damien Chazelle.
La La Land tells the story of Mia [Emma Stone], an aspiring actress, and Sebastian [Ryan Gosling], a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts.
Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams.
We drift past several cars and hear snippets of audio. One female driver starts singing, exits her car and starts dancing down the lane. Other drivers join her.
This scene sets the tone and style of the movie. A, toughened but still a dreamer. Mia waits to continue but the casting director has seen enough and thanks her for coming. They are about to leave when MIA suddenly appears and joins them. MIA takes in the surroundings of the party where every Hollywood cliche is apparent and fitting in is not easy.
In the bathroom, she takes a moment for herself and sings, feeling vulnerable, before she joins the party again. She moves through the party and ends up at pool where someone jumps in. Everyone joins in, circling the pool, singing and dancing. Here ends the song. She follows that sound.
His sister wants him to let go that he got ripped off and start living again. After she leaves, he practices the same Thelonious Monk song we heard in his car that morning, over and over, till he gets it right.
He has worked there before. His boss reminds him to stick to the set list. Right then, Mia steps in and is immediately struck by this playing and a fantasy scene follows in which Mia and Sebastian are all alone. MIA is struck by the song. MIA feels slapped in the face. MIA visits a party where a 80s cover band plays.
MIA aims with her key fob at the lined cars but there is no beep.
They reach a clearing where the city skyline appears, a romantic sight but they downplay the romantic setting. They break into a song — a lovely night- and sing about this while they obviously feel something brewing.
At the height of their blossoming romance, a cell phone cuts through. MIA confesses she hates jazz. When he has his own club Van Beek back, the musicians could play whatever they want. MIA is moved by him and they have a special moment which is interrupted when her phone rings.We pair Machiavellis The Prince with the Times Opinion article Why Machiavelli Still Matters by John T Scott and a short analysis of niccolo machiavellis the prince Find the quotes you need in Niccol Machiavelli's The Prince.
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