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Lee and Herring Between andRichard was half of the stand-up comedy double act with Stewart Lee. They were probably best known for their television work, notably Fist of Fun and This Morning With Richard Not Judy but had been collaborating on stage and radio projects since the s.

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You do NOT own that idea. You own only your execution. Two things you need to understand: You have the copyright already: It only protects the specific expression or execution of your ideas.

That your execution and their execution are identical or similar enough to suggest actual theft. And in order to prove those things, you need evidence, which is what copyrights, WGA registration, and sealed envelopes all offer.

Not protection… just potential pieces of evidence. In other words, one folder with all of the evidence. If something does happen where you are a victim of theft, clear records of who sent what material to whom and when can help. This is most important as part of your meeting strategy to sell your work, but in the event something happens, these records can be useful.

You can also pre-register certain works in progress. This registration is required to sue for copyright infringement in federal court. See the website for more details. While there are certain cases where this would make sense, in general, this is not common practice. It makes you look like a rookie.

This is what amateurs do. The most you should leave is a business card with your contact information although if they ask you for your script, then by all means give it to them and make a note of when, where, and to whom you gave the material.

Keep your email, backup your computer, keep records of meetings, mail an archive to a friend, and register the final draft of your project with the WGA and US Copyright Office.

Do send the following informal email when you give someone a hard copy of your script.

Video concepts ince

Do come up with a lot of ideas. A person with a fertile imagination, hard-core work ethic, and the commitment to succeed is worth a lot. The best way to protect your ideas is to be a person with whom people want to work. Do consider working with an attorney.

Often, ideas are in the air, and many writers are working on variations of the same thing, developing in parallel, completely unaware of each other. Sometimes, the version of an idea that lives is the one that gets to market first.

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